IN THIS SECTION
Neil’s film and television credits include the cult teen comedy "Don't Tell Mom the Babysitter's Dead” starring Christina Applegate; Melrose Place, The Magnificent Seven, Doogie Howser, M.D., The Secret World of Alex Mack, Twice in a Lifetime, MTV's Undressed, The Young & the Restless, Monarch Cove, and one-hour drama pilots for CBS, ABC, ABC Family, Warner Bros., Disney, Lifetime, and Freemantle. Neil also served for several years as Executive Script Consultant in the international divisions of Sony Pictures Television and Columbia Pictures. His animated movie projects include the 3D animated feature Tad: The Lost Explorer (aka Las Adventuras de Tadeo Jones) which earned him a Spanish Academy “Goya” Award and Cinema Writers' Circle Award for Best Adapted Screenplay. He co-wrote and Co-Executive Produced the 3D animated feature Capture the Flag for Paramount. Neil is also credited as screenwriter on the new animated movie, Sheep & Wolves, for Wizart Animation (The Snow Queen). Neil is a professor in the M.F.A. in Screenwriting and Producing Programs at UCLA School of Theater, Film & Television (his alma mater). He is the author of the bestselling books 101 Things I Learned in Film School, The TV Showrunner’s Roadmap, The Screenwriter’s Roadmap, and TV Outside the Box: Trailblazing in the Digital Television Revolution.
SUSAN HURWITZ ARNESON
Susan is a television writer who received her MFA in Screenwriting from UCLA. Best known for her work as a writer on six seasons of South Park, and is currently a writer for Amazon's The Tick. In the past she has also been a Consulting Producer on NBC's Mr. Robinson with Craig Robinson and a writer on ABC's Malibu Country starring Reba McEntire and Lily Tomlin, and the Fox animated series Bordertown. Susan has developed several television series and sold pitches to Fox Television Animation, MTV and others.
Karen is a television and film writer whose credits include The Mountain and Step Up 2: The Streets. A graduate of the Warner Brothers Television Writers Workshop, Karen is currently developing a film adaptation of a historical travelogue, among several other projects. She was a Screenwriting Instructor for Dan Decker's The Screenwriters Group, is a graduate of the University of Michigan Law School and an active member of the Writers Education Committee and E-Publishing Committee at the WGA.
JULIE CHAMBERS & DAVID CHAMBERS
Julie and David have worked extensively in primetime and cable television as executive producers, showrunners, writers, and consultants. Between them they have written and sold half-hour comedy pilots to ABC, CBS, Fox, Showtime, TVLand, and other cable companies. They have also written books, screenplays, documentaries, and worked on the writing staff at over a dozen shows, including Emmy winners, The Wonder Years, Frank's Place, and The Simpsons, for which they earned a WGA Award nomination. They have also been nominated for Golden Globe, Emmy, and Alma awards, as well as winning a Humanitas Prize. Along the way they've written for many comic luminaries, from Mel Brooks to Tom Hanks. They have taught for both graduate and undergraduate students at UCLA Film and Television, and helped launch and continue to teach for the Syracuse University in Los Angeles program. They contributed two chapters to Inside the Room, a book about writing for television published by Gotham/Penguin. They're writing their own book about creating the original comedy pilot, and continue to write for and pitch ideas to the industry, as well as consult on a variety of projects. Their greatest collective achievement, however, is their creation of two highly rated children.
Ari is a graduate of New York University's Tisch School of the Arts Film and Television Program. A television, feature, video game and ezine writer, he's written for the CBS sitcom Still Standing and has had pilot deals with Warner Bros., Touchstone, MTV, Warner Horizons, Fox 21, MGM and NBC Universal. He's taught writing and directing at the Inner City Filmmakers program and is a member of the Groundlings improv group, and a Second City graduate. He co-created the trailer mash-ups 10 Things I hate About Commandments, Must Love Jaws, and Glen & Gary & Glen & Ross which were featured on CNN and in Rolling Stone and Time Magazine. 10 Things I hate About Commandments is on display at the Museum of the Moving Image in New York City. He's currently developing a pilot for IMGlobal television and Muse Entertainment.
Stephen's weekend work of writing screenplays eventually led to his departure from being a lawyer to his success as a television creator, writer, director and producer on such hit series as Dream On, Mad About You, Just Shoot Me and The Big Bang Theory. A graduate of Tufts University, Engel continued his education at NYU and earned a law degree. He then joined a New York firm, and spent his weekends writing screenplays, leading to assignments for producers including Joel Silver and Steven Spielberg. Ultimately, Stephen quit his law job and -- in the words of his parents -- "flushed thousands of dollars of education down the toilet" to write full-time for television and movies. In 1991, Engel moved to Los Angeles to write for the award-winning HBO comedy Dream On. He spent four years on the series, serving as the showrunner the last two years. Engel went on to create and executive produce CBS's Work With Me, starring Nancy Travis and Kevin Pollak; NBC's Inside Schwartz, starring Breckin Meyer; and ABC's The Big House, starring Kevin Hart. Engel currently resides in Pacific Palisades, California with his wife and two children.
Jennifer is a television writer/producer whose credits include Titus, Wanda at Large, The Bill Engvall Show, and Ellen, where she was part of the Emmy Award-winning staff that wrote Ellen’s “coming out” episode, aka The Puppy Episode. She’s had pilot deals with Twentieth Century Fox, NBC/Universal, Touchstone, Warner Bros., Warner Horizon, and has pitched and sold multiple half-hour comedy pilots, with producers including Lisa Kudrow’s Is or Isn’t Entertainment and Zadan and Maron’s Storyline Entertainment. A Los Angeles native, Jennifer received her BA in Film and Television from Cal State University Long Beach. She's currently developing an hour-long dramedy and avoiding as much gluten as humanly possible.
Kelly was most recently executive story editor for ABC Family's critically-acclaimed show, The Fosters. Previous credits include: the NBC show Next Caller and MTV's hit comedy Awkward. Kelly received her M.F.A. in screenwriting from UCLA as part of the television showrunner track. At UCLA, Kelly was the recipient of the Sidney Sheldon award for her feature script Always a Bridesmaid, and she won the Zaki Gordon Award for her feature Clarity.
Geoff received his MFA in 2009 from the UCLA School of Theater, Film and Television where he won the Michael Minor and Robert Green award in screenwriting. After graduating, he worked as a staff writer on the final two seasons of the television show Medium and later sold an original drama pilot entitled Happy Accidents to CBS Paramount. The script was developed at TNT with Glenn Gordon Caron, the creator of Moonlighting. He has taught in the graduate school at Hollins University since 2013 and in the Professional Programs at UCLA. Geoff's IMDb page also proudly lists the PA work he did on Gilda Radner's Greatest Moments from 2002 and his dramatic turn as the 'Lightswitch Guy' in the hopefully never seen independent film Ante Up.
Jim wrote and produced popular television shows including Silver Spoons, Punkey Brewster, Mama's Family, Three's Company, Sanford, The Facts of Life, Empire, Kate and Allie, Too Close For Comfort, It's Gary Shandling's Show, Boys Will Be Boys, The Van Dyke Show, Amen and Family Matters. He co-created and executive produced The Suite Life of Zack and Cody for the Disney Channel which later became The Suite Life on Deck. The Suite Life of Zack and Cody brought Jim two Emmy nominations.
Jason is a television writer, having recently worked on the staffs of Scandal (ABC) and The Blacklist (NBC). He is a Writers Guild Award nominee with several projects in active development. Before moving to Los Angeles to make up stories, George wrote more than 1,000 real ones as a journalist for The New York Times and the Chicago Tribune, reporting everywhere from the Arctic Circle to the African savannas. His postings included two years in the Middle East and two years on the presidential campaign trail. He has traveled to stories via camel, dogsled and too many military helicopters to count. Since moving to LA, he has consulted on feature film projects for Gary Sanchez Productions, Warner Bros. and Sony. George is a graduate of the University of Oregon's School of Journalism and Communication, UCLA's MFA screenwriting program and The American University in Cairo's Arabic Language Institute.
Jill is a television writer and producer with credits on Emmy-winning series including NYPD Blue, The Practice, Ally McBeal, Law & Order, Boston Legal, and Rizzoli & Isles, and was a finalist for the Humanitas Prize for an episode of Boston Legal. She has sold projects to ABC, NBC, and Universal, and currently has a pilot in development. She has also been a featured speaker at numerous conferences and writing programs, and has appeared as a panelist on C-Span Close Up, CBS News, and CNN. Prior to writing for television, Jill spent seven years as a Public Defender in the Juvenile and Felony Trial Divisions of the Cook County Public Defender's Office in Chicago. She received her J.D. from Washington University School of Law, and served an internship with U.S. Senator Paul Simon on the Senate Judiciary Committee. She also received an MFA in Screenwriting from the UCLA School of Film, Television, and Digital Media, and is a contributing author to the book, Lawyers In Your Living Room! Law On Television, in which she wrote the chapter entitled, Writing For Television: From Courtroom to Writer's Room.
The son of Korean immigrants, Chuck proved his geek cred by forgoing his acceptance to law school to be an editor at DC Comics. After working several years on such characters as Batman, Superman, and Aquaman, Chuck moved to Los Angeles and worked for E! Online as a reporter. He got his big break when he was picked as a writing fellow in the Disney/ABC writing program. Chuck wrote for several seasons on the NBC hit series Heroes, as well as comic books, with characters ranging from the Powerpuff Girls to the X-Men to Superman. His animation work includes Ben 10 and Dexter's Laboratory. He still remains proud of designing the lower half of a short-lived version of Aquaman's costume. He lives with his husband David and mixed-breed labrador Lilly.
John is a television writer, best known as executive producer on the first 6 seasons of ABC’s “Desperate Housewives.” With nearly 30 years experience in the business, he started his career in sitcoms, amassing a resume filled with shows, some memorable, some not, all of which bought him a show-offy house just below the giant Christian cross on the Cahuenga Pass, next to the homeless encampment on the left. Some additional TV credits include “The Five Mrs. Buchanans,” “The Crew,” “The Jeff Foxworthy Show,” “Cybill,” “Bob Patterson,” “Some Of My Best Friends,” and “Jane By Design.” John graduated from CSU Fullerton with a BA in Telecommunications, and holds a MA in the art of not taking to your bed when your pilot isn't given a slot on the Fall schedule.
Mark has written and produced over 150 hours of TV's most original and highest rated content including The Sopranos, The X Files, EZ Streets, JAG, Law and Order, The Practice, Cover Me, Farscape and Mystery Woman for studios including HBO, Paramount, Fox, Universal, CBS, and SyFy. He also wrote and produced animated TV including Steven Spielberg's Tiny Toons, Batman, Aladdin, Little Mermaid, Taz-Mania and 2 Stupid Dogs for Warner Bros., Disney, and The Cartoon Network. He has three Emmy Nominations for best writing and a Golden Globe award. He worked in production on multiple seasons of sitcoms including NBC's Spencerand Under One Roof. But his career began in NYC, where—after working Off-Broadway as Stage Manager on The Fantasticks and on the Broadway shows Sophisticated Ladies and Piaf—he became Production Manager and Producer for over 100 national TV commercials. Campaigns included, "Got Milk?," the Diet Coke product launch, Miller Lite's "Tastes Great/Less Filling," Dr Pepper's, "I'm A Pepper!" and ongoing ads for McDonalds, Budweiser, Heineken, Volvo, Ford, Nike, Pepsi, Oil of Olay, and Clairol—all while moonlighting as a production assistant and all-around go-fer on TV specials at Rockefeller Music Hall, Broadway theaters, and for MTV music videos.
Julie is an award-winning screenwriter, whose credits include the film Reaching for the Moon, for which she won the best adapted screenplay award by the Brazilian Academy of Letters and was also nominated for best adapted screenplay by the Brazilian Academy of Cinema. She worked on the writing staff of the television series Midnight Caller, and wrote episodes for Gabriel's Fire and "Beggars and Choosers, among others. She was a co-creator and supervising producer of the CBS one-hour drama, Four Corners. She has also written many movies for television, including A Walton Easter, Dallas Reunion and the mini-series Knot's Landing: Back to the Cul-de-Sac. She currently has two feature films in development, one in the U.S. and the other in Brazil. Aside from her work as a screenwriter, she's also an adjunct professor of screenwriting at USC School of Cinematic Arts and Loyola Marymount University School of Film and Television. She has a B.A. from New York University and an MFA from Goddard College.
With over 35 years experience in the entertainment industry, Tim started out as an actor and joined the Groundlings in 1980 working with such notables as Paul “Pee Wee Herman” Reubens and the late Phil Hartman. Small movie roles and TV guest shots led to him to getting his first series, Reggie in 1983, then Our Time in ‘85, and Parker Lewis Can’t Lose in 1989. While all of this was going on he began writing. With two TV movies and some TV sit-com episodes to his credit, he got his first staff job in 1993 on a show called On Our Own. He was able to combine the two talents, acting and writing, in ’94 by co-creating and starring in the talk-show spoof, Nightstand With Dick Dietrick. In 2000 he did the same by partnering with FX and Howard Stern for the Baywatch spoof, Son of the Beach. Since then he has been a Writer-Producer on the shows My Name Is Earl, Raising Hope, The Millers, and most recently, Kirby Buckets. As a Producer, he currently has a mini-series in development at HBO based on the 1950’s Las Vegas hotel, The Moulin Rouge.
John credits as a screenwriter include There's Something About Mary, Santa Clause II, Santa Clause III, starring Tim Allen and The Lizzie McGuire Movie starring Hillary Duff and Freebirds, a computer animated feature, starring Owen Wilson and Woody Harrelson. Box office receipts of the aforementioned films total in excess of a billion dollars internationally. Additionally, with Free Birds partner David Stern, John is currently writing a computer animated feature, Renaissance, for Prana Studios. He also produced You Again for Touchstone Pictures, starring Kristen Bell, Sigourney Weaver and Jamie Lee Curtis at Disney. He's currently producing a feature film comedy, The Brag, for 5x5 Media. On the television side, John executive produced, the Golden Globe winning series, Mozart in the Jungle for Amazon Prime and has also executive produced , In Plain Sight for USA Network, as well as The Client List, for Lifetime Network. John is currently writing a television pilot, Over the Top, for the Freeform network, featuring several YouTube stars. He's also writing a pilot for truTV, called Playa del Sol, based on a Swedish format of the same name, and starring Rhys Darby. He is also adapting There's Something About Mary as a Broadway musical.
Matthew is a television writer whose credits include My Name is Earl and Raising Hope. In addition to writing professionally, he's also worked as a script consultant, helping to improve dozens of pilots and spec scripts. In his spare time he's an Emmy-nominated songwriter and a "Best Dad" nominated father. He also often writes about himself in third person.
Gaia was born in Italy, moved to London as a teenager and graduated in Classics at an Ivy League University, UCL (University College, London). While in Europe, she worked on several Italian TV shows and British commercials. Gaia has attended USC for screenwriting and graduated from the UCLA MFA Screenwriting Program, where she won the UCLA Writers Showcase and was a recipient of the Samuel Goldwyn Writing Award. After receiving the awards, two of her TV pilots were sold to Sony Television and Sony Crackle. She has taught a series of lectures at UCLA for the Professional Program in Producing and is currently an in-house writer in the Disney live action program. She is repped by CAA, Madhouse and Myman Greenspan.
After receiving his certificate from the UCLA Professional Program in Screenwriting (where he won the Professional Programs Screenplay Award), Rick went on to earn his MFA in Screenwriting from UCLA as well. As a Masters student, Rick won several awards including the William J. and Lee Phillip Bell Fellowship in Television, the Jack Nicholson Prize in Screenwriting, and Honorable Mention in the UCLA MFA Showcase. Rick began his career as a paid Story Analyst for such companies as ABC Television, Walt Disney Studios, Paramount Television, Out of the Blue Entertainment (Sony Pictures), Hopscotch Entertainment, and The Gersh Agency. As a feature writer, Rick developed a sci-fi action script for Josephson Entertainment/Fox Studios. As a TV writer, his credits include Star Trek:Voyager, Jessie, Kickin' It, and the animated shows Packages From Planet X, Marvel's Avengers Assemble, and American Dad! where he served as a staff writer. Along with his writing partner, Rick recently served as a staff writer on the Nickelodeon show Bella and the Bulldogs. While working at Nickelodeon, Rick and his partner sold a pilot, which they are currently developing. Rick's greatest love is writing and sharing his knowledge with students. Just kidding -- it's bourbon and being sarcastic.
Danielle credits include several series for Marvel Television, prime-time dramas for Fox, several web series, and Kyle XY Continuum, which received a nomination for an Interactive Media Programming Emmy. Her stage credits include Weightless, which has appeared at the Attic Theatre in Los Angeles and off-Broadway at the Producers Club in New York, as well as Eating Existentialism and Huntsville, a radio play broadcast on NPR. Her writing has also appeared in several publications, and her debut collection of short fiction, Mass Ave, was published.
Apply Online Today
Applications are now being accepted for the 2017 Professional Program in Writing for Television.